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All of this adds up to a weighty, ambitious attempt to wade through incredibly difficult subject matter, but one that also seeks to balance with earnest optimism and a desire for healing.
There are many, many scenes of the friends just having fun, of getting annoyed with one another, of professing their undying love. Created by: Mark V. The thing about Big Love is that the actual plot never really mattered as much as the relationships among its characters. One man with three wives living in a modern Utah suburb is certainly an interesting premise, but from the start, the show made it about more than just salacious intrigued at polygamy.
Bill Paxton was also at his most charming in this series, and he is missed. It introduced a strange and often difficult world, but managed to make it feel like home.
It was literally a decade before its time, prefiguring shows like The Office and Arrested Development with its lack of a laugh track, a single camera setup, and a roster of unlikable characters. It blurred the line between reality and TV show, with real-life actors playing themselves on the talk show within the show, and often sending up their public personas. It also featured three unforgettable performances from Garry Shandling, Jeffrey Tambor and Rip Torn, who were all as good at revealing the desperation and futility of their characters as they were in the comedic moments.
Despite its inside showbiz setup and caustic humor, its characters were fully-formed, believable people. It was a very smart and human show. Its first season is hypnotic, deep, disturbing, and obsession-worthy, while its second is boring, scattered, and forgettable. For crime show fans, Season 1 and its search for the Yellow King is a must; the collaboration between writer Nic Pizzolatto and director Cary Fukunaga is exceptional, as are its lead performances.
For all of its faults even in that season with some of the writing regarding its female characters, of which there are not many , True Detective still remains a stalwart HBO series. Eli turned the gospel into a chain store, opening up churches throughout the Southeast, and bringing his whole family into the business.
Much of what makes the show so enjoyable is the way these three gifted comic actors play off one another as their entire world threatens to unravel. Praise the Lord and pass the loot, indeed. No, this is not a show for everyone. But few shows have ever achieved such intoxicating sensations of pure hopefulness and near-simultaneous hopelessness in its plots and themes. Leftovers played like an epic poem of rapture or non-rapture , and, indeed, there was a hero… we think.
The hero shifted with each scene in a way that we rarely see in TV, or even film. These characters are so flawed and human, in a story that both challenges and embraces themes in organized religion, all while being exciting, violent, sexy, smart, and difficult. So perhaps, this is a show for everyone.
Action heroes kill stuff. Rah, rah, violence. Move along, see the sequel in a year. It susses out the ways the government would attempt reparations for black Americans robbed of historical wealth—including the racist backlash against and cringe-inducing videos used to inform those receiving them. The past comes for everyone in the show. Clever, mean, blood-in-the-mouth humor meshes with politics warped and wild in this alt-present where Robert Redford is president and peace was forced upon the world by a murderous genius.
Created by: John Milius, William J. The duo have a kind of Odd Couple dynamic that is bonded in blood and brotherhood, as the series tracks the fall of the Roman Republic and the rise of the Roman Empire.
An ambitious and enthralling series, Rome was also expensive, and an ill-advised sprint through the timeline in Season 2 botched things enough for that to be that. But going from the story of these simple but compelling soldiers through the betrayal of Caesar and the increasing excess of the Roman elites leading up to Antony and Cleopatra is all incredibly entertaining.
This outstanding series explores life in a sideshow caravan full of societal outcasts who have created their own makeshift family, but there are so many interesting, heartbreaking, and even spooky stories that are also broached along the way. The attention to production design and care taken in telling the stories of these forgotten people is truly something special, if you dare to take a peek behind the curtain. Most of us who watched could not relate to the very specific demographic of women who were showcased.
And, for a series whose beating heart was NYC, the show did not do well in its presentation of gay characters or characters of color whenever they showed up. Hell, even the main character was problematic and difficult to root for at times.
Carrie Bradshaw Sarah Jessica Parker was the not-so-eloquent writer who was better at choosing a pair of Manolo Blahniks than making decisions in her love life Team Aiden? And if Samantha was too much for you, Charlotte York Kristin Davis and Miranda Hobbes Cynthia Nixon offered up their own unique perspectives, giving the foursome an original, entertaining, and important balance of personalities and feminist or anti-feminist outlooks.
This is especially true in a time when shows like True Detective are being accused of putting their women characters in lazy, typical plot positions, without agency. Whatever class issues, or race issues, or gender and sexuality issues Sex and the City might have swept under the rug or addressed in a problematic way , it still functioned as a loud, oft-obscene call for agency among the marginalized.
These are the real concerns that make Deadwood a masterpiece. David Milch created a sprawling, fastidiously detailed world in which to stage his gritty morality plays and with it has come as close as anyone to creating a novel on-screen.
Veep satirizes the political world by distilling it down to what the public likes to watch most: the screw-ups. From foot-in-mouth moments and mis-sent documents to squeaky shoes, everything Selina Meyer Julia Louis Dreyfus does is scrutinized, turned into an offense, and spit back at her through the distorted prism of Twitter and never-ending public opinion polling. Because the main thing Veep stays true to is shining a light on the people more desperate to be near power than to make any real social impact.
Is there such a thing as a sober, carefully considered obsession? The plights of our time are all on display in the series—poverty, depression, drug addiction, suicide—and the debilitating effects are handled with masterful subtlety. As Mare Sheehan, police detective and former high school basketball star, she has suffered, and suffered, and suffered some more in ways that leave her defiant, sarcastic, and cynical, but too tough to be broken. Mare stands out for its realistic depictions of this strength, highlighting not just the impressive resilience of its women, but the ways in which the need for this resilience takes its toll, both over time and in harsh, shattering moments.
When those characters falter, or even break, it only serves to highlight that underlying strength; these are portraits written and directed by human beings with a deep understanding of how life works on the psychological margins. Set aside the recent revival for a a moment: Larry David pulled off the rare successful second act in television comedy. Curb Your Enthusiasm was Seinfeld -ian in its rhythms, with David basically playing the George Costanza version of himself as an eternally perturbed and self-defeating schlemiel who just happens to be fantastically wealthy after creating a show called Seinfeld.
A lot of cringe comedy forgets to actually be funny, but that was never a problem for Curb , which remained as funny and cringeworthy as ever over the eight seasons of its original run. Long before Hamilton captured the cultural consciousness, this eight-part miniseries tackled the same subject matter of the founding of the U.
Based on a best-selling biography by David McCullough, the show went deep into this fractious period of our history, covering a lot of ground starting with the Boston Massacre in , and ending with the deaths of Adams and Thomas Jefferson 56 years later. The breadth of the story is astounding enough, bringing to richly detailed life the key moments that built this messy democracy that we find ourselves in today.
Once you embrace that, Succession unlocks as a never-ending battle of power and prestige with medieval royal overtones that is also wonderfully aware of how absurd that kind of story is. John Oliver has lapped all the other news satire shows by focusing on global issues and devoting up to half of each episode on a single main story. He effortlessly explains complicated issues in hilarious fashion, helping his American viewers learn crucial information from around the world while still entertaining them.
Perhaps he too will burn out in time, but hopefully the once-a-week schedule and periodic season breaks keep him fresh. Created by: David Benioff, D. The geopolitical drama that unfolds in George R. Highlighting its fantasy elements only sparingly, each of these are very human tales, as inhabitants of Westeros and Essos try to survive in a very cruel world and often, very often, fail.
Heroes meet their end as often as villains; children as often as warriors. The show has garnered its fair share of criticism for its gratuitous nudity and its depiction of a couple of brutal rape scenes, but it also has featured some of the strongest female characters on TV. Maybe this is a good time for a drama about Chernobyl. In April , the reactor at the Chernobyl nuclear power plant, in present-day Ukraine, exploded, leaving a large number of first-responder widows and a legacy of environmental annihilation.
The incident and its aftermath are the subject of a new, five-part drama on HBO. I had to watch it 10 minutes at a time. Emily Watson rounds it out as Ulana Komyuk, a Byelorussian scientist determined to find out what really happened in order to keep it from ever happening again.
The production is HBO-grade excellent. The soundtrack is a testament to the terrifying sound of a chattering Geiger counter. Writer and producer Craig Mazin is relentless in his depiction of human corruption and environmental breakdown, and director Johan Renck gives Lars von Trier a run for his melancholic money. It is an anatomy of fear and incompetence and hopelessness and baseness and self-destructiveness. It is desolate and desperate and excruciating and horrible.
And it should be. Hall, Frances Conroy, Lauren Ambrose. Six Feet Under is a television show that attempts to find reason and order in death, but then every episode totally fails. Opaquely funny, tender, heartrending and sometimes deeply uncomfortable, Six Feet Under balks, down to the marrow of its bones, at the idea that there is reason in death. Somehow, though, Six Feet Under is never morbid, instead concerned with celebrating the lives of its ensemble however they happen to play out, sensitive to the fact that though they run a funeral home, they have as little insight into the meaning of life as anyone else navigating modernity at the turn of the century.
By the fourth hour he was an emotional wreck, and by the fifth he was starting to sob just at the opening theme. The series also features some of the real heroes talking about their experiences before and after episodes, and when you learn which characters are based off of them it just brings everything together in overwhelming ways.
The careful attention to detail and weaving in of historical moments will ultimately make this series your definitive understanding of the war and everything surrounding it. One that happens to star a massive cast of recognizable young male actors in small roles who almost all became A-list movie stars. By this time, I did appreciate washing and even waxing cars and thought I was pretty cool with my horse power sports car. Ralph and I met at Chrysler in summer of , started dating fall , and got married December — we have been married more than 21 years.
Ralph thought he would have to give up his track hobby after our daughters were born in and So he put silver racing stripes on our white short-wheel base Dodge minivan, upgraded the motor and suspension, and added Viper brakes and Viper seats. The race van was quite legendary, even getting written up in a few car magazines. Having to take care of two young kids, I joined him at the track less and less; timing technology had advanced by then and recording lap times was no longer my concern.
Our track days were quite popular — with catered lunches, free water and Gatorade, organized timing, and a laid-back atmosphere. I continued to remain trackside — there were always friends and strangers far more eager than I for a ride. We stopped putting on track events after five years or so, although every once in awhile Ralph still asks me to consider organizing one again.
Fast forward to Ralph was busier than ever at work. For him, time on the track was, and continues to be, his release…his zen…how he lets go of stress. As busy as he was with work, he needed track days more than ever.
Luckily, our girls were 14 and 16 at this time and much more independent. So, we decided I should get into the track hobby too — how better to maximize what little free time he had! There is nothing like the thrill of learning the line at a track, driving well, and chasing down and passing other cars. As a woman, it is especially empowering.
And I have to admit, it feels extra good when you get out of your car and a male driver is surprised to learn that it was you — a woman — driving! And we got to meet Mama Nunz! However, for me the track day hobby is very much about quality time with Ralph. We eventually purchased a stacker trailer so we could be in our Ram together hauling our two track cars. And, instructing me and seeing my progress is a whole new angle to the hobby and brings him great satisfaction.
Honestly, if Ralph did this hobby solo, we would never see each other or he would feel guilty and do it far less often. Our year old daughter, Sydney, has gotten into the track hobby too — she recently ran at the historic Watkins Glen International with us.
Track days are also about the friendships. We try to coordinate calendars with our racer friends as much as possible. I am all about the group dinners, parking together in the paddock, and hanging out in our trailer with young car enthusiasts who have somehow become our pit crew. Traveling to far away states we see friends: some come visit us at the track, others we see on the way there or home. If I eat too many fries at lunch and want to skip the next session, I skip.
Ralph takes care of the cars; I coordinate with friends and pick out restaurants. There were five of us ladies — ranging from two very experienced friends who go to track days on their own, to one friend that had never been on a track or even put on a helmet. We all had a blast — and the newbie even came in second in the autocross, a short course outlined with cones and set up in a large parking lot.
It was so much fun I am already working on the next Ladies Track Weekend. I love a great story and this certainly qualifies as a fantastic story. Going outside your comfort zone and taking on a new hobby is an adventure and you painted a lovely picture of your adventure. Good to know that Ralph was crazy all the way long lol! All the best in the upcoming track days.
Thank you Abdulaziz!!